Friday, July 15, 2011

Harry Potter and the Deathly Hallows: Part 2 (2011/TS) XviD AC3-P2P






Harry Potter and the Deathly Hallows: Part 2 (2011/TS) XviD AC3-P2P | 1.46 Gb
Russian | TS, XviD | avi | 720x304, 1650 Kbps | AC3, 128 kb/s (2 ch) | 1h 56 mins | 1.46 Gb
Genre: Action | Adventure | Drama








http://malluparadise.com/forums/showthread.php/34390-Harry-Potter-and-the-Deathly-Hallows-Part-2-(2011-TS)-XviD-AC3-P2P

Tournament (2010) - DVDRip - XviD - AC3 5.1 - Esubs



Movie Info:


Duration.........- 02:04:56
Avg Bitrate......- 1855 Kb/s

Audio Format.....- AC3
Bitrate..........- 448 Kb/s
Channels.........- 5:1
Sampling Rate....- 48000 Hz
Video Format.....- MPEG4
Resolution.......- 640x272
Frame Rate.......- 23.976 FPS
Subtitles........- English














Karayilekku oru kadal dooram (2011) - 1CD - DVDRIP - x264 - MP3






Christian Brothers (2011) - DVDRip - x264 - AAC 2.1 - Esubs [DmE]





Release Notes.....- 903 MB
Duration..........- 03:00:16
Bitrate...........- 701 Kbps

Audio Format......- AAC
Sampling Rate.....- 24000 Hz

Video Format......- x264
Resolution........- 640x288
Frame Rate........- 23.976 FPS
Subtitles.........- English



















Chappa Kurishu (2011) (Theeye Theeye) - Single Track




Directed by Sameer Thahir
Produced by : Listen Stephen
Written by : Sameer Thahir | Unni.R
Cast : Vineeth Sreenivasan | Fahad Fazil | Roma Asrani
Music by : Rex Vijayan
Cinematography : Jomon T John




001 Theme song
002 Theeye Theeye



Exclusive Review : Harry Potter & Deathly hallows 2





RATING - 4.5 / 5





Fourteen years, seven books, eight movies, billions of dollars in profit and an incalculable amount of affected imaginations all lead up to one point. Numbers might help define J.K. Rowling‘s Harry Potter franchise for some, but true fans know that emotion is best way to quantify the impact of the series. The mere words “Harry Potter” can elicit emotional reactions specific to the characters and the series, and help recall experiences we’ve shared with the story over the years.

The release of Harry Potter and the Deathly Hallows Part 2 marks the emotional climax of an era and is laden with almost insurmountable expectations. Unless Rowling decides otherwise (and she might), this film could very well be the final piece of the Harry Potter canon. So does Deathly Hallows Part 2 live up to the hype? I’m happy to say it does.

Before we get into the film, I feel a little bit of personal Potter context is needed. Harry Potter is a series that I’ve been a fan of since the beginning. Even though I was in college when the series began, I was endlessly entertained and fascinated by Rowling’s world. These books were not just for kids, and reading the first few helped fill a void the Star Wars prequels could not. I’d attend midnight releases of the books, read them greedily, then line up to see the movies opening night. Family and friends all joined in my passion as I passed the books along. To further extend the connection, the first film – Harry Potter and the Sorcerer’s Stone – was actually one of my first on-camera video interviewing experiences. Suffice to say, Potter holds a special place in my heart and Harry Potter and the Deathly Hallows Part 2 was my most anticipated film of the past several years.

It left me feeling very, very happy indeed.

If you haven’t seen Harry Potter and the Deathly Hallows Part 1, watch it now. It’s required viewing. Director David Yates and screenwriter Steve Kloves have no interest in playing catch up. Deathly Hallows Part 2 begins – even before the Warner Bros. logo – right where Part 1 left off. However, instead of immediately jumping into the action, the film takes a slow, methodical, even stoic approach at the start. We’re dropped back into the world fully aware this is the calm before the storm.

One spectacular – albeit semi-rushed – action scene later, the story finally returns to Hogwarts. Yates and composer Alexandre Desplat mark the occasion by invoking John Williams‘ now iconic themes and fans of the series will will began to get weak at the knees. Yates evokes that nostalgia throughout the film in an attempt to raise the stakes by reminding us that the whole world – not just Harry, Ron and Hermione – is affected by this hunt for Horcruxes.



From there, Deathly Hallows Part 2 is basically an action-packed, physically-draining sprint towards the inevitable finish line. When it does take the rare, extremely important detour, adrenaline is replaced by heartache.

That pacing is both the film’s biggest strength and greatest flaw, though. Because we’re moving so fast, major moments tend to feel tacked on or glossed over. Yates beautifully punctuates some of the iconic, signature moments but as well as those work, others are equally disappointing. For a fan, it’s easy to forgive these faults because we’re so engrossed in the story – which is my personal stance – but it’s a totally valid criticism to say Yates misses the mark on occasion.

Another criticism fans familiar with the source material might excuse are the spots where Deathly Hallows Part 2 is too faithful to the original text. Several crucial, but weird, scenes from the book remain untarnished and, after seven films, could seem out of place. Fans will love them and say Yates didn’t want to go off book, but in contrast there are other cases where he not only goes off book but actually improves on Rowling’s text. The movie foreshadows and clears up some of the more confusing story elements and presents a more exciting climactic confrontation than Rowling’s. Much as the audience will choose what to love and hate about the film, Yates himself made some questionable choices. His biggest choice though, one the studio was certainly a big part of, was to post-convert Harry Potter and the Deathly Hallows Part 2 into 3D. The effect is unnecessary, but rewarding and cool nonetheless. Pick your poison.

Finally, when the foot comes off the gas pedal and we know the end is near, that’s when Deathly Hallows Part 2 really shines. This is an important film in many ways and as an audience member you feel that towards the end. The emotions are layered on thick, and while it fades to black much sooner then Peter Jackson did with Return of the King, it’s obviously reaching for that level of Oscar-winning gravitas. It doesn’t totally succeed, but it does enough to be extremely gratifying.

Whether you’ve been a fan of the books and movies for years, or only know Potter’s story from the silver screen, Harry Potter and the Deathly Hallows Part 2 doesn’t disappoint. Non-fans might find it strange at times, but ? They shouldn’t have come to a seventh sequel in the first place. This movie is the close-enough-to-perfect cherry on top of a franchise that will be remembered for years to come. It’s ripe, beautiful, and you’ll be sad – but satisfied – when you’re done with it.

'Zindagi Na Milegi Dobara' : Movie Review (Must Watch movie for youth)




Cast: Hrithik Roshan, Farhan Akhtar, Abhay Deol, Katrina Kaif, Kalki Koechlin
Directed by Zoya Akhtar



Rating: 3.5 / 5


Films dealing with life-altering epiphanies are always shot in stunning locations. And Hindi films dealing with the same, need a stunning cast as well. A possible rationale: beautiful places relieve stress and bring things into perspective. And beautiful people experiencing divine realizations can hold your perspective on the screen, often resulting in a 'ka-ching' sound at the box office. 'Zindagi Na Milegi Dobara' (ZNMD) is one such film.

In true 'Hangover' meets Vikas-Krishna-Barcelona spirit, the film deals with a bachelor adventure marinated with stories of finding, losing and forgetting love. Kabir (Abhay Deol), an affluent construction tycoon is about to take the marital plunge. But not before he completes a much-postponed trip with school buddies, investment banker (and constantly grumpy) Arjun (Hrithik Roshan) and freestyle flirt Imraan (Farhan Akhtar).

So, the boys with biceps shoot off to Spain, a land where sunny means a summery glow and not sweaty and stinky, much like an AC studio in Mahalaxmi. Now, the deal is that each would pick a secret adventure sport and the others would have to join him at it.

The problem arises when Kabir's fiancé, poisonously possessive Natasha (Kalki Koechlin) lands up in Spain suspecting a wild orgy (don't get your hopes up, there aren't any). Soon, Kabir takes over as grumpy and Arjun finds hope underwater, as spunky skiing instructor Laila (Katrina Kaif) shows him corals and also offers morals like 'seize the day' and 'live in the moment for you could die tomorrow'. These prophetic pearls of wisdom (from the rough draft of Guzaarish 2?) pierce through Kabir and he realizes how he cherishes things besides money. On Arjun's exaggerated revelations, Imraan remarks, "Ek hi dubki mein zindagi ke saarein raaz khul gaye? Tujhe toh underwater hi rehna chahiye." But then Imraan only spends his screen presence saying and doing things that would be considered unacceptable or just down-right silly in adult society.

The film isn't as simplistic as it seems and each character has a back story and internal conflicts that surface intermittently between thrill-seeking stunts, sugary love, drunk talking and some seriously childish pranks. What is aesthetic in this film apart from the charming Spanish countryside is that scenes which would usually be served with heightened melodrama are quite well contained and subtle, yet convey the emotion.

The music is hummable but the choreography usually finds Abay Deol playing the part of 'Senorita'. Farhan's comic timing is immaculate but his shayari is cocaine-infused and like a soft murmuring background score it could lull you to sleep. Kalki is deliciously annoying as her character required her to be and Katrina's performance doesn't make or break this film. The film's overall humour quotient is not very high and is mostly situational and there are usually more people laughing on the screen than in the audience.

In a tasteful manner, ZNMD has managed to do for Spain, what 'Dil Chahta Hai' did for Goa, beautifully selling the beaches, babes, tomatoes, tortillas and thrilling adventure sports. Spaniards should only be cautious that this tourism AV doesn't do to their country what the malls did to the mills of Lower Parel.

Saturday, July 9, 2011

Latest Movie Releases: 3 Kings l 2011 l TCRIP l FIRST ON NET l KT EXCLUSI...

Latest Movie Releases: 3 Kings l 2011 l TCRIP l FIRST ON NET l KT EXCLUSI...: "..::INFO::.. Director: V K Prakash Music Director: Ousepachan Cast: Kunchako Boban,Jayasurya,Indrajith,Samvrutha Sunil,Sandhya,Ann Auguti..."

3 Kings l 2011 l TCRIP l FIRST ON NET l KT EXCLUSIVE!




..::INFO::..
Director: V K Prakash Music Director: Ousepachan Cast: Kunchako Boban,Jayasurya,Indrajith,Samvrutha Sunil,Sandhya,Ann Augutine,Suraj Venjaramood,Salim Kumar,Jagathy Sreekumar,Balachandran Chullikkadu, Ambika


Screenshot










Visit KeralaTribute.CoM

ONLY ON YOUR'S KERALATRIBUTE.COM! ENJOY THIS EXCLUSIVE MOVIE!!

Sunday, July 3, 2011

Latest Movie Releases: ADAMINTE MAKAN ABU (2011) PDVDRIP.AAC.2.0.ENG SUB

Latest Movie Releases: ADAMINTE MAKAN ABU (2011) PDVDRIP.AAC.2.0.ENG SUB: "Adaminte Makan Abu English: Abu, Son of Adam) is a 2011 Malayalam family drama film written, directed and co-produced by debutant filmmaker ..."

ADAMINTE MAKAN ABU (2011) PDVDRIP.AAC.2.0.ENG SUB

Adaminte Makan Abu English: Abu, Son of Adam) is a 2011 Malayalam family drama film written, directed and co-produced by debutant filmmaker Salim Ahamed, starring Salim Kumar and Zarina Wahab in the lead roles. Notable smaller roles are filled by Mukesh, Nedumudi Venu, Kalabhavan Mani, and Suraj Venjarammoodu. The film chronicles the riveting tale of a poor old couple longing to go on a Hajj pilgrimage.
After nearly a decade of pre-production work,the film was shot over a month beginning on 7 November 2010. It bagged four National Film Awards including for Best Film and Best Actor (Salim Kumar). The film released in theatres on 24 June 2011.

http://www.imdb.com/title/tt1945039/


Plot
Abu (Salim Kumar) and Aishumma (Zarina Wahab) are an elderly Muslim couple living in Kerala's Malabar. Their aspiration is to go for Hajj and they make many sacrifices to achieve this aim. Their son Sathar, has migrated to the Middle East with his family and virtually discards his aged parents. Now in their late 70s, they decide that they will go for Hajj that year.
Abu sells athar and Unani medicines that nobody wants for a living. Aishumma breeds cattle and hens, and helps her husband realize their dream. Just like the traditional products that Abu sells, he too has been outdated, stepped upon and discarded by a fast changing world. A school teacher (Nedumudi Venu), an intelligent friend of Abu's, is there in his time of need. Hyder (Suraj Venjarammoodu), a local teashop owner also empathises with Abu. Abu is often given genuine advices by a mysterious saint known simply as Ustad (Thampi Antony). Good-natured people try to help him by loaning the amount, but since this is against the accepted practices of the religion, he refuses to take them.
With advancing years, Abu's desperation also grows. Finally, in frustration and terrible distress, Abu gives away his cow and an old jackfruit tree. Abu is helped by the manager of a travel agency (Mukesh) to get tickets and other documents. A policeman (Sasi Kalinga), who does the police verification, initially rejects Abu's passport application, but once he gets his bribe he becomes quite helpful.
When the passports and the tickets are just a bus journey away in Kozhikode, the sawmill owner (Kalabhavan Mani) while handing over the money for the tree says that its wood turned out to be rotten and hence useless. He insists that Abu still take the money, since it is for a noble cause. But Abu refuses it, saying that it wouldn't be halal, and hence could anger Allah. At last when he is sure that he cannot fulfill his dream, Abu reaches another conclusion – that tree too has life, and several lives must have died when he cut the tree in front of his house. And that may be one of the reasons for his not being able to go for the Hajj. On the dawn of the Hajj, Abu tells his wife that they will go the next year. He goes to the mosque to pray on the Hajj morning.



Cast
Salim Kumar as Abu
Zarina Wahab as Aishumma
Mukesh as Ashraf
Nedumudi Venu as Master
Kalabhavan Mani as Johnson
Suraj Venjarammoodu as Hyder
Sasi Kalinga as Kabeer
Thampi Antony as Ustad
T. S. Raju as Maliyekkal Hassainar Haji
M. R. Gopakumar as Sulaiman
Jaffer Idukki as the photographer
Ambika Mohan as Lalitha, Master's wife
Vinod Kovoor as Moideen, the fish seller




Critical response
Gautaman Bhaskaran of The Hindustan Times rated the movie three on five stars () and said, "Adaminte Makan Abu while being a rare study in restraint often plays out like a placid stream. Except for the old couple's son, who is never shown and who turns out to be the cause of all the misery and disappointment, Ahamed portrays too idyllic a situation." About the cinematography, the reviewer says that "some of the shots are divinely beautiful, conveying a deep sense of loneliness and gloom." The critic praises Kottukappally's background score claiming that it "does add up to create the mood that swings between despair and hope, between despondency and cheer." The actors' performances were labelled as "marvellous", with the lead pairs receiving particular praise.
Paresh C. Palicha of Rediff.com gave the film a very positive review and praised it as "simple and beautiful". The review mostly praised the performances, direction and story, giving it three stars over five (). Palicha particularily praises Salim Kumar's performance saying "It goes without saying that it is Salim Kumar who has the towering presence and hovers above the story. Make-up by Pattanam Rasheed helped, but it is Salim Kumar's acting skills that have made him enact perfectly the part of a 75-year-old man with blood shot eyes and a tendency to fall off to sleep in the middle of a conversation."
In Deccan Chronicle, Keerthy Ramachandran gave the film a complete five star rating (), writing, "This is one movie which should get a glorious position in the annals the history of Malayalam cinema." The critic was all praise for the cast performances and stated, "Through his portrayal of Abu, Salim Kumar has elevated his image from that of a comedian in the film industry to that of an exemplary actor. Though not recognised with an award, Zareena Wahab’s performance as his wife is also worthy of appreciation. The movie would also prove to be a milestone in Suraj Venjaramood’s acting graph as he gets to show his histrionic abilities, without depending on the Thiruvananthapuram slang. Mukesh and Kalabhavan Mani, though in cameos, have done a good job." Salim Ahamed's screenplay and direction was praised by the critic, who stated, "Hats off to the debutante film maker, Salim Ahmed, who with his story, screenplay and dialogue proved that in cinema, ingenuity lies in simplicity." She appreciated Madhu Ambat's cinematography saying "Ace cinematographer Madhu Ambat is surely an asset to the Indian film idustry and has framed poignant shots for the movie." She labelled Ramesh Narayan's songs as "excellent" and Kottukappally's baclground score as "intense" and "economically used".
S. Anandan of The Hindu published a positive review, saying, "'Adaminte Makan Abu', with its honest portrayal of a devout old man's pursuit of spiritual bliss, offers a glimmer of hope for Malayalam cinema, currently at its nadir". He appreciated Salim Ahamed's direction saying that "The movie may be a tad utopian, but Ahamed demonstrates commendable mastery in relating an individual's undying spirit and a happy death he so much yearns for." He labelled the film setting as "idyllic" and said, "The village, not far from the bustling town of Kozhikode, is idyllic and the life of the people there, harmonious. The story unfolds in 2010, as evident from a flex board in front of the travel company that helps the protagonist couple get their travel documents. But the societal life in the village, reminiscent of rural Kerala in the 1980s with its crop of do-gooders and mystics, is too ideal to be true in current times. But then, Salim Ahamed is out to picture life in a Basheerian habitat, where inter-religious individuals gleefully share the earth with pagan living organisms."
T. Sudheesh of City Journal concluded his review saying that "Director Salim Ahamed, who has penned the story and the screenplay, has made a beautiful film. Adaminte Makan Abu is quiet engaging and entertaining as well. The film truly deserves the national award. It is really worth watching." He labelled Salim Kumar's performance as "brilliant", and commented that "The chemistry between Abu and his wife Aishumma is touching and has been beautifully brought out through simple narration." The critic praised Madhu Ambat's cinematography as "another highlight of the film".
Veeyen of Nowrunning.com was all praise for the film and commented that it "is a wholly functional drama that probes into questions of basic human existence. Fabulously directed and sensitively acted, this is no didactic film, but rather a poignant parable that ponders on human aspirations and the strenuous journey to their fulfillment." He gives it a rating of three stars out of five (), and adds that the film "is meticulously paced and splendidly staged to create a sense of optimism that should keep the human race going in these testing times."
A reviewer from Sify.com also gave the film a complete five star rating (), saying, "Adaminte Makan Abu has done proud for Malayalam and will find its place among the most powerful films ever made in Malayalam." The critic praised Salim Ahamed's direction stating that "The director, who is also the scenarist, pours his heart and soul into the film and the honesty with which he has approached the film is there to be seen in every frame." The critic labelled Madhu Ambat's cinematography as "brilliant" and Kotukappally's background score as "absorbing". Salim Kumar's performance is praised by the critic, saying, "It’s perhaps an once-in-a-lifetime role for Salim Kumar and he gives subtle acting an altogether different meaning. He is just outstanding and his performance has been easily the best by any actor in Malayalam, during recent years." The critic also praised the performances by other actors, saying, "Every actor in the film has done their role with lots of conviction. From Zareena Wahab, Nedumudi Venu, Mukesh, Kalabhavan Mani, Suraj Venjarammoodu, M R Gopakumar and Thampi Antony to those who have appeared in a scene or two like Sasi Kalinga and Jaffer Idukki, for instance, leaves lasting impressions in the viewer’s mind."
A reviewer from Oneindia.in said that Salim Ahamed "has created a masterpiece out of a simple story." The review, which mainly praised the technical expertise and cast performances, labelled Salim Kumar's performance as the "major attraction of the movie", Ramesh Narayan composed songs as "good", and Vijay Shankar's editing work as "commendable".


Accolades
The film received numerous accolades including four National Film Awards and four Kerala State Film Awards.[36] Salim Kumar became the tenth Malayalam actor, and the first comedian, to win the national award. State award Jury Chairman Buddhadeb Dasgupta was profuse in his praise for Salim Kumar. "I was overwhelmed. For the first 10-15 minutes I couldn't believe my eyes. I had seen the same person in comedy roles in some other films that came up for our consideration. This performance was overwhelming. He overshadowed everyone else."
The national and state award going to Salim Kumar in the Best Actor category created tension in the film industry. Director Ranjith said that he expected the award for Mammootty whose performance in the film Pranchiyettan & the Saint had received rave critical reviews. He said that Salim Kumar's performance in Adaminte Makan Abu was no patch on Mammootty's performance in Pranchiyettan & the Saint.Salim Kumar lashed out against Ranjith's comments and said it is just sour grapes. Several film pundits have backed the opinion of Ranjith.
In an interview, Pattanam Rasheed complained that the absence of Malayalis in the national award jury cost him the award for best make-up artist. He says, "I would've got it [the award] if there was a Malayali. Jury members thought Salim [Kumar] was actually an old man. As such, they couldn't appreciate my work.

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